If you work with Rotoscope in Silhouette, check out the scripts that I’ve developed for Boundary Visual Effects. They are free and will help improve your day by day rotoscope tasks.
This was a job that I have worked on recently. All the post-production was done by me, with the exception of the final color grading.
Post production included: Matchmoving, 3D modeling/texturing/rendering, Camera Projection Mapping, Compositing/Keying, Rotoscope and Clean plating.
Its was a very interesting project to work on, since the pipeline was using 2K-3K plates from RED camera. Reading r3d files directly on Nuke was great and rendering multichanel 32 bits EXR files from Maya really helped to integrate CG and live action.
Post production work, I did the artistic rotoscope over the actor and also designed backgrounds.
Silhouete Roto & Paint was used for rotoscope and the shapes received further effects (wiggle/fx) in After Effects.
New post production work: 2d tracking/placement of the signs graphics and hands rotoscopes.
Credits
Client: Gazeta do Povo
Agency: Heads
Post House: Temple Frame
Director: Verginia Grando
Photography Director: Luis Fernando (Xanxe)
Art Director: Flavia Romanó
Audio by U-Dog
This was a tricky keying job that i have done recently.
The sequence on video is: final result, original footage, rotoshapes.
Due to non-optimal lighting, the video noise made almost impossible to key with usual off the shelf keyers. Luckily the cloths were all black, so it was time for some single channel keying (green color channel, lowest noise) with additional roto on needed areas. Feet area and lower mic pedestal were not given much attention because they would be off frame.
I did roto work on 4 shots for this Amil advertisement.
For the first 2 shots, the roto was used to enhance the “artifact” with glow and color correction. On the last 2 shots, the roto was used to compose the man in scene with other elements like matte paintings and 3d CG.