Credit: digital effects supervisor: Boundary Visual Effects

42 shots of compositing, paint, and removal work, including the removal of unwanted elements such as camera rigs, wires, and safety straps.

Credit: compositor

33 shots of unwanted element removal, including crew reflections, store and metro signage replacements, and keying and compositing for interior car scenes.

Credit: stereoscopic roto artist

Ah, the golden age of stereoscopic conversion, when everyone wanted to wear 3D glasses in the cinema (glasses on top of my own glasses, in my case). We worked on about 35 shots for the film, creating roto for the 2D to 3D conversion. I remember spending two weeks on a single shot, layering every depth element, including some very challenging hair roto. Good times.