Credit: compositing supervisor: Boundary Visual Effects

42 shots of compositing, paint, and removal work. This included head removal in the film’s final exploding head shots, cable and rig removal in several fight scenes, and monitor inserts.

Credit: compositing supervisor: Boundary Visual Effects

For this charming stop motion series, we worked on 11 episodes and approximately 158 shots. The work included compositing, paint, removal, and cleanup: removing rigs and rig marks from characters, stop motion light deflickering, puppet beauty work, background inserts, and keying.

Credit: lead digital compositor: Boundary Visual Effects

135 shots of compositing, paint, removal, and matte painting work. This included unwanted element removal, TV screen inserts, snow additions in winter shots, sky replacements, and crowd augmentation.

Great film. Most of the VFX is invisible and supports the story; I am proud to have been part of it.