Credit: digital compositor

I worked on approximately 70–80 shots across a range of compositing tasks, mostly modern element cleanup, billboard and old TV set inserts.

Credit: compositing supervisor: Boundary Visual Effects

42 shots of compositing, paint, and removal work. This included head removal in the film’s final exploding head shots, cable and rig removal in several fight scenes, and monitor inserts.

Credit: compositing supervisor: Boundary Visual Effects

For this charming stop motion series, we worked on 11 episodes and approximately 158 shots. The work included compositing, paint, removal, and cleanup: removing rigs and rig marks from characters, stop motion light deflickering, puppet beauty work, background inserts, and keying.